A schematic diagram of a stereo multiple-source simulation is shown in Fig.. To simplify the layout, the input and output signals are all on the right in the diagram. For further simplicity, only one input source is shown. Additional input sources are handled identically, summing into the same delay lines in the same way.

The input source signal first passes through filter
, which
provides *time-invariant* filtering common to all propagation
paths. The left- and right-channel filters
and
are typically low-order, linear, *time-varying*
filters implementing the time-varying characteristics of the shortest
(time-varying) propagation path from the source to each listener.
(The
superscript here indicates a time-varying filter.) These
filter outputs *sum* into the delay lines at arbitrary
(time-varying) locations using interpolating writes
(de-interpolation). The zero signals entering each delay line on the
left can be omitted if the left-most filter overwrites delay memory
instead of summing into it.

The outputs of and in Fig. correspond to the ``direct signal'' from the moving source, when a direct signal exists. These filters may incorporate modulation of losses due to the changing propagation distance from the moving source to each listener, and they may include dynamic equalization corresponding to the changing radiation strength in different directions from the moving (and possibly turning) source toward each listener.

The next trio of filters in Fig., , , and , correspond to the next-to-shortest acoustic propagation path, typically the ``first reflection,'' such as from a wall close to the source. Since a reflection path is longer than the direct path, and since a reflection itself can attenuate (or scatter) an incident sound ray, there is generally more filtering required relative to the direct signal. This additional filtering can be decomposed into its fixed component and time-varying components and .

Note that acceptable results may be obtained without implementing all of the filters indicated in Fig.. Furthermore, it can be convenient to incorporate into and when doing so does not increase their orders significantly.

Note also that the source-filters and may include HRTF filtering [2,19] in order to impart illusory angles of arrival in 3D space.

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